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Must love dogs
Kid-friendly projects are the calling card of Douglas Love’s storybook career

By MARTIN HINTZ

March 18, 2008

Just by virtue of his name, Douglas Love naturally loves Valentine’s Day. But he’s especially pleased with what he’s doing with his life.

How could he not be enthusiastic about his career … all that theater, plus television, books and games geared to youngsters. Love realized long ago that thinking out of the box encourages kids to dream, create, react, reach out and learn.

Being creative is simply a typical day’s work for Love, 40, who now calls Mequon his home after two decades of wandering nationally from troupe to studio to author’s keyboard and around again. He grew up on Milwaukee’s West Side, but has subsequently lived in New York, Denver, San Francisco and points-between as a producer, writer and idea guy for HarperCollins, Disney and World Book, among many others.

There’s corporate experience in the mix, as well, including casting youngsters for Oshkosh B’Gosh ads. Plunging deeper into the business milieu, Love helped develop an Earth Day meal project in 2006 for Organic Valley Foods, a cooperative of about 1,200 farms based in LaFarge, Wis. The co-op’s National Earth Dinner campaign included media, art, free samples, recipes, fundraising teasers for regional environmental organizations, outreach to restaurants and lots of public education.

Among Love’s cornucopia of ideas for Organic Valley was development of a colorful deck of 49 cards used as a dinner table game. The pack encouraged Earth Dinner guests to be aware of where food originates and to connect with the Earth, as well as to those around the table.

While on this journey across many creative disciplines, Love’s work has won three coveted Parent Choice awards. In addition, he’s a regular speaker at educational conferences, affirming his Web site’s mantra, "Think it. Make it. Be It."

With all that background under the proverbial belt, Love is particularly happy now to be back in the heartland. "The best part of coming home is having a history with people who are here. It’s being with my family and friends. I’ve finally plunked down," he chuckles, sweeping his hand around his condo’s comfortable living room and pointing outside to a small lake behind his house. He waves toward his beached yellow paddle boat and expansive lawn, admitting relief that he didn’t have to mow.

It’s a bonus that dad Martin Love, former head of the Milwaukee unit of the state’s public defender’s office, and mom Beverly, a former MATC English teacher, also live in Mequon. In fact, Beverly has long been the major proofreader for Love’s work.

"It’s nice to have someone on hand who really knows grammar," Love says. Occasionally when the younger Love would be in an intense writing session at some highfalutin studio, he got his mother on the speaker phone to straighten out errant verbiage.

Love’s older sisters are close, as well. Artist sibling Darcy lives with her husband on 55 forested acres in central Wisconsin and Lauren is in Chicago, finalizing a doctorate in theater history. "We all had a lot of support from our folks when growing up," Love says gratefully.

Although he now calls Milwaukee his home again, it’s no problem for this always hustling multitasker to get around. As a diehard fan of Midwest Airlines and its direct routes to both coasts, Love is regularly jetting off for on-the-scene work on behalf of numerous clients. Yet, as icing on the cake, Love has landed projects in his backyard, too.

He’s now working closely on a museum project for children titled HIstory in Motion, spearheaded by Michal Dawson, former mayoral aide and Milwaukee Department of City Development honcho. Still in the early planning process, the program might eventually expand to other cities if successful in Milwaukee. "It goes behind being merely hands-on," Love hinted of the exciting undertaking.

Another plum assignment is producing and directing a film that will play for visitors to the Jewish Museum Milwaukee.

"It’s not enough to have static learning experiences. I want to turn that into an active endeavor," he says. "My goal is to edify my audience, putting out educational opportunities that are not only entertaining but also inspiring."

As a kid, Love organized plays in his family’s basement, charging admission to the parents of his youthful actors, much to the initial embarrassment of his parents. "Then I showed my mom all my nickels that I earned and it was OK," he smiles.

Love regularly appeared in numerous productions around the greater Milwaukee area, as what he called "the resident kid." He was in numerous shows with such companies as the old Milwaukee Players, including appearing in 20 productions at the Pabst Theater. Then he grew taller than some of his female co-stars and subsequently edged into dancing and producing. Love put on his first musical at 13, staging "You’re a Good Man, Charlie Brown" at the late, lamented Century Hall and using professional actors and crew. As a teen, he even became a dedicated Equity member.

Graduating from Rufus King High School at age 16, Love immediately enrolled at UW-Milwaukee. "I wanted to get on with my career," he says. "Besides, mom wasn’t eager for me move out of town for college at that age."

Love’s career really took off after writing a stage adaptation of the children’s book, "Free to Be You and Me," by actress/education activist Marlo Thomas, who wanted a road show of her work. Several other attempts to capture the mood of the life-affirming production aimed at youngsters had failed, but Love figured he’d try.

He showed his story to Letty Cottin Pogrebin, founding editor of Ms. magazine, whose foundation owned the rights to the book. Pogrebin then passed along Love’s manuscript to Thomas, who loved his theatrical version of her theme. At age 20, in 1987, Love began working with Thomas on the production. The process from start to finish for "Free to Be" wasn’t easy, however. It took about two years before its world premiere in Chicago in 1989 with Love as director, who stood nervously at the back of the house on opening night.

With that break, Love made press in all the trades as the "guy from ‘Free to Be You and Me.’" From then on, whenever he called an agent to see about other jobs, Love received priority.

The ball kept rolling. In 1993, he went on a book tour. "I was the wholesome Jewish boy from the Midwest who was teaching the world to imagine," he says, noting that he still exchanges cards with store owner friends he met back then.

His "Imagination Station" game book for HarperCollins in 1995 was another smash hit. With such successes, Love attracted the attention of the Disney Channel, which had him create "Out of the Box," a children’s show targeted to 4-to-8-year-olds. Action took place in a playhouse shaped like a box in which youngsters sang, made arts and crafts and played games. The highly touted program, which had 100 episodes, ran from 1998 to 2005.

For several seasons, Love was producing artistic director of Walden Media’s Family Playhouse in Denver. Love used a core of experienced performers and musicians he had known at other venues. Grammy, Emmy and Newbery winners, as well as a writer from "CSI," the popular television series, worked with him to create productions that resonated with young audiences. This was an incubator project in which new story ideas were tried out to see what could go on to become movies or television specials.

"All my buddies came to help," he says. "They were at the top of their game, from such backgrounds as working with Bruce Springsteen and the Tom Tom Club."

This led to work for HarperCollins, World Book and other publishers, where Love created content that was readily applicable to educational uses, a fact appreciated by teachers. Many of his first books were actually theater kits, where kids received the scoop on everything from story lines to making costumes. One of his most recent projects was an Internet program called "World Book Kids" that now has more than 15 million subscribers. He also developed Atlas, a stuffed toy dog that serves as the site’s iconic mascot.

"I love kids. I see potential in every one of them. And I love the idea of being able to perhaps make some impression on them. Who knows where they will go in their lives," Love says.

Just like Love, these youngsters may eventually spend a lot of creative time out in the wide world. And then come home again.

 


This article was featured in the February 2008 issue of