A
show at Bryant Park in New York City is the traditional way for a
designer to know that he or she has truly made it in the fashion
world. Yet, there’s a far more elite group of haute couture
designers out there who have shown at an even more unique venue.
Don’t know where it is? Of course you do. It’s right here in
Milwaukee at the annual Symphony Style fashion show to benefit the
Milwaukee Symphony Orchestra.
"The thanks really need to go to Peg Bradley and the group of
women who started the show," says Tony Chakonas, co-chair of 2008’s
Symphony Style with Kyle Cherek, Cynthia Stoll and Jordan Dechambre-Childers.
"These were the women that originally wanted to bring couture to
Milwaukee, despite the fact that it was a very difficult, enormously
expensive undertaking."
But a worthwhile one, as Symphony Style remains Wisconsin’s only
true couture fashion show.
"As far as I know, the designers always came here to the store
on the day of the show," says Heidi Martin of Zita. "The
show was very unusual for the time."
The concept of a show of this scale also tied together two
important elements: fashion and philanthropy, which appealed to a
particular and important Milwaukee demographic.
"For many years, the show was held as a sit-down luncheon at
The Pfister, and it was quite successful," says Chakonas.
"It was the ‘ladies-who-lunch’ crowd."
And that wasn’t necessarily a bad thing. These were the patrons
of the arts, the wives of business leaders, the most fashion forward
in Milwaukee for decades. Catering to this group of women had an
effect that rippled through the Milwaukee community.
"I think the show raised Milwaukee’s awareness of
fashion," says Katherine Zvesper, owner of Au Courant, the
presenting sponsor of Symphony Style. "Over the years, and even
now, people have been able to see designers they might not have
normally known about, those designers that aren’t so commercial or
who typically do one trunk show in a city."
In some cases, it also gave them greater accessibility to designers
they admired from afar, including Vera Wang, Oscar de la Renta,
Valentino, Bill Blass and Badgley Mischka.
Chakonas thinks the continued exposure has been important for
Milwaukee.
"It exposed Milwaukee to fantastic couture, and because of
that, we have residents who do see it as an art form," says
Chakonas. "We do have a very casual city, but at the same time,
this has been an opportunity to show people that Milwaukee does have
an appreciation for fashion."
"Milwaukee has always had people who dress beautifully, but
what it doesn’t have is Nieman Marcus or Saks," adds Zvesper,
who notes that Milwaukee’s selection of boutiques has helped sustain
that interest and accessibility year round. "The event has
brought world-class designers to Milwaukee."
While the show was an anticipated and successful event both for the
Milwaukee Symphony Orchestra League and in bringing fashion to
Milwaukee, it faced a midlife crisis as it entered its fourth decade.
"That original demographic was disappearing," says
Chakonas.
Organizers realized, however, that the city’s interest in fashion
had not. It had just evolved, and the event needed to evolve with it.
They also realized what had been nurtured in Milwaukee for so long was
unique and worth continuing.
"Symphony Style is an event, and really one that you would
normally have to go to New York City to experience," says
Chakonas. "And then even if you are in New York City, it’s not
easy to get into the tents at Bryant Park, even for clients. The shows
are primarily staged for editorial reasons, so it’s the editors and
stylists who are in the seats, and entrance is very restricted."
The challenge was to create a new product, one that would still
support the symphony and keep Milwaukee’s historic tie to the
fashion world, but at the same time appeal to a broader demographic of
symphony patrons and lovers of fashion.
"We changed it drastically," admits Chakonas. "We
went for broke and turned it into a big party."
A change of venue was just the beginning, with Symphony Style
relocating from the historic Pfister to the contemporary Milwaukee Art
Museum. Instead of a luncheon, the annual event now includes food
stations, live entertainment and a silent auction in addition to the
runway show.
"Even though Milwaukee’s not Los Angeles or New York City or
even Chicago, we have that level of a fashion show here," says
Martin.
"It’s very glamorous, very Fashion Week," agrees
Zvesper. "It’s a world-class event."
Since its radical evolution, Symphony Style regularly draws about
500 attendees.
"What’s really interesting now is we have attendees from
their 20s to their 70s," says Chakonas. "And what’s even
more interesting is that it’s gone from an event where I was one of
three men in the entire room to a group that’s split nearly 50-50
men and women."
Martin has attended or taken part in the show for the past 17
years, and she’s pleased with the evolution.
"It has a bigger, younger audience," she agrees. "It’s
now more than the ‘ladies who lunch,’ which is great."
But some things haven’t changed.
"Every year we have to resell Milwaukee to a new
designer," laughs Chakonas. "They have no idea where we are,
that we’re on a lake, that we do a professional show of this size
and scope here."
Symphony Style organizers have learned to be quite savvy in selling
Milwaukee, as well as cherry picking just the right designers for the
show. They’ve learned the ropes of attending the real Fashion Week
and of selecting models — often represented by Ford and Elite — in
an open casting call for the Milwaukee show.
"We’ve really done a good job of getting designers who are
well known, but haven’t had enormous publicity," says Chakonas.
"After they’ve been here, the press always seems to start
noticing them."
Case in point: This year’s featured designer, Peggy Jennings.
"Peggy Jennings has been in business for more than 27 years
and she does zero advertising," says Chakonas. "Yet, her
detail work is exceptional; she’s true couture, but she’s still a
secret. The caliber of her work is something that most people have
never seen."
Just as designers have educated Milwaukee on fashion for more than
four decades, the city also provides an education in return.
"What’s really interesting is that once the designers come
to Milwaukee, they don’t want to leave," says Chakonas.
And they don’t forget us when they go back home either.
"They leave excited and impressed," agrees Zvesper.
"Symphony Style has helped to make a big name for Milwaukee in
New York City, too."