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Flowen jewelry's Specimen pieces draw new life from fossils

May 4, 2015

The Vatna pendant from Flowen's Specimens collection.

LOS ANGELES ó At first blush, the fossil laboratory at the George C. Page Museum might seem like a strange place to introduce a new fine jewelry line, but after seeing the fossil-like earrings, scarab-beetle clutches and shell-like webbed rings that make up the new Flowen Specimens collection, itís hard to think of a more appropriate place in the entire city than a mammoth boneís toss away from the bubbling fossil repository known as the La Brea Tar Pits.

A collaborative effort from the L.A.-based wife and husband team of Flavia Lowenstein and Juan Azulay, Flowenís earrings, pendant necklaces, clutch purses and rings are impossibly detailed, delicate-looking webs of metal that all at once seem half biological, half geological and all otherworldly, like prehistoric sponges or insects frozen for eternity in amber.

"Iím an accessories designer," Lowenstein said. "But I really wanted to create something meaningful and different ó statement pieces. My mother worked in an art gallery, so Iíve always been very much inspired by art and sculpture, and my husband is ex-faculty (at Southern California Institute of Architecture), trained as an architect and also a media artist, so weíre passionate about trying to push the envelope...."

The designs introduced recently at an event at the Page Museum are reminiscent of something Alexander McQueen, Iris van Herpen or another avant-garde fashion designer might do. Thin webs and loops of metal seem to grow around diamonds like metal fingers of coral, turning in on themselves to form intricate rings of double-walled latticework or sprout like a pair of primeval brass knuckles from the mouth of a leather clutch.

The couple spent three years working on turning their sketches first into 2-D computer models and then into durable 3-D pieces. "Itís not 3-D printing, and itís not casting," Lowenstein said. "The pieces are grown from a sterling silver powder." (Neither Lowenstein nor her husband wanted to discuss the process in more detail for fear of giving away proprietary information, saying only that the computer end of the work is done in the U.S. and the jewelry is "grown" in Italy.)

Azulay described the pieces as fossilized remains from a kind of alternative past. "The theme is Ďnature as imagined,í" he said, which means asking: "What would the natural world look like through these artifacts if it had (evolved) this way instead of that way. ... These pieces belong in a world where a lot of things have been taken out of it, and (all thatís left is) nature at its most extreme."

Most of the pieces in the Specimens collection are silver plated with either gold or a rubberized coating called "gommato" (the only exceptions are the clasps on the leather clutches, which are gold-plated brass). Retail prices start around $400 and top out around $18,000 for some heavily diamond-encrusted pieces.

 

 



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