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CHICAGO
— Brand power takes on a whole new meaning on Twitter,
where more than a million people follow Sockington, a
tweeting feline who muses about litter boxes and salmon.
Companies
would like to emulate that kind of success without
drawing catcalls.
So far,
however, the majority are still on the sidelines, and
even most of those that have jumped in are social media
newcomers, stepping up their presence in recent months
as it became evident Twitter wasn't a quickly fading
fad.
Facebook
, another social site, has let companies create their
own pages only for the past two years.
What
corporate marketers are discovering is that many of the
strategies they have used for decades don't apply in the
new social realm. For one thing, the companies have had
to learn to let go of control. They can't be unnerved by
an audience that talks back, often with brutal candor.
Such
dialogue is occurring anyway, said market researcher
Josh Bernoff
.
"You
can ignore it or you can try to fix it," said
Bernoff, co-author of "Groundswell: Winning in a
World Transformed by Social Technologies."
Microblogging
site Twitter attracted 21.2 million U.S. visitors in
July, according to Internet research firm
ComScore Inc.
, up from 783,000 visitors a year earlier.
Facebook's
U.S. traffic more than doubled, to 87.7 million
visitors, over the same 12-month period.
Yet only
26 percent of companies use social media such as Twitter
and
Facebook
for corporate purposes, although 70 percent plan to jump
in, according to a new survey by
Minneapolis
-based communications firm Russell Herder and Ethos
Business Law.
But they
should do so with caution, counsels
Jeffrey Kalmikoff
of
Chicago
-based hipster T-shirt company Threadless, which is a
social media hit. This form of media is so new it is
difficult to predict with certainty what will succeed or
bomb embarrassingly.
"Nobody
has any idea of what they're doing on social
media," said Kalmikoff, the company's chief
creative officer. "It's just how comfortable your
company is in taking risk. Some things can pay off; some
things can fall flat."
Candymaker
Mars Inc.
saw both with its "Interweb the Rainbow"
Skittles promotion. Its Twitter account initially was
bombarded with off-color tweets. But the online campaign
also has drawn more than 1 million fans to Skittles'
Facebook
page, where they are trading thoughts on everything from
Skittles-infused vodka to whether the tart candies are
tastier than M&Ms.
Threadless,
which attracted more than 1 million buyers and designers
for its T-shirts without any mainstream advertising,
finds the best way to reach consumers is through its
weekly e-mail newsletter.
Facebook
is also effective as a communications tool because it
has detailed knowledge of its fan base. Twitter is
tougher to gauge because it provides little about who
the company's followers are or whether they are even
paying attention.
"Twitter
is still a giant question mark," said Kalmikoff.
"I'm highly suspicious of anyone who says they know
how to use Twitter properly in a business setting."
Still,
Threadless is experimenting with Twitter, using the site
as both a bullhorn to blast messages to its nearly 1
million followers and as a means of commerce. The
company currently is marketing "Tweets on
Tees," shirts emblazoned with sayings like,
"Life would be easier if you could mark people as
spam."
But
there's little doubt of Twitter's clout to influence
public awareness, as
JetBlue Airways
demonstrated with its rollout last week of the
"All-You-Can Jet" monthly pass for
$599
.
As the
promotion became a "trending topic" on Twitter
soon after it was announced Wednesday, JetBlue started
to see multiple mentions of itself on the site every
second. Most were consumers sharing word of the offer,
although many peppered JetBlue's Twitter account with
questions about how the deal worked.
"We
were completely bombarded," said
Lindsey Petersen
, who works for JetBlue's frequent-flier program in
Salt Lake City
and is a member of the team that helps manage its
Twitter account.
JetBlue
planned to make the monthly pass available through
Aug. 21
. But after less than 36 hours, officials were worried
about having to curtail the promotion because the
carrier was running out of seats. The airline has only
65,000 airplane seats to sell each day.
"We're
going to learn a lot from this," said
Jenny Dervin
, spokeswoman for the
New York
-based carrier. "Next time we do this, we may have
different rules around it. But, honestly, Twitter will
tell us. It's the ultimate market research tool."
To
connect with consumers on these new media and to remain
timely, companies have to cede absolute control of an
advertising message, a risky proposition.
While
about five officials at
Southwest Airlines
typically vet every press release for accuracy and
nuance, communications staffer
Christi Day
flies solo on Twitter. She acts as the discount
carrier's voice without editing from her bosses.
"It
is a little scary," Day said of the challenge of
remaining on point while trying to reflect the humor and
playfulness the carrier encourages in its employees.
JetBlue
and Southwest have the largest presence among airlines
on Twitter, with about 1 million and 460,000 followers,
respectively. Both carriers share a steady stream of
information, from flight delays to deals.
Day also
has started providing live tweets from the company's
news conferences as well as updates of weather-related
problems and service issues. This summer she tweeted
about a hole in the fuselage of one jet, for example,
that forced an emergency landing in
Charleston, W.Va.
"That's
what people are hungry for: providing the facts,"
Day said. She added that "having that direct
communication with our customers allows us to squash any
rumors that may be going on."
After
spending decades perfecting slogans and one-way
conversations, companies that tap social media have to
be prepared for an open dialogue with consumers, whose
responses can be blunt.
American Airlines
is experimenting with a
Facebook
application in development that lets families and
far-flung friends plan trips together. So far, 21
reviewers have rated it an average of 2.5 stars out of a
possible 5, and the airline is using the feedback to
improve the planning tool.
"To
create a great product, you've got to test it out with
loyal customers that will be blunt: 'I like this, I
don't like that,'" said
Billy Sanez
, an American spokesman. "It's like a virtual focus
group and an active user group that's testing it
out."
American
prefers
Facebook
to Twitter.
"Twitter
is more of a mass simple-messaging platform," Sanez
said. "
Facebook
is a more robust conversation. You can get to know the
consumer a lot better."
Its
Facebook
offerings include a page called Travel Bag devoted to
trip planning, as well as content from its inflight
magazine. The wall also features plenty of customer
comments, pro and con, along with flight photos.
United Airlines
and struggling country musician
Dave Carroll
learned the power of these new tools after Carroll
gained Internet fame in July with a song tweaking the
carrier for breaking his guitar, then refusing to pay
for the damage. He and friends used
Facebook
and Twitter to get the word out.
Although
its brand is known worldwide, United had a difficult
time countering the firestorm of publicity because it
was new to social media, Bernoff said. "You don't
have a lot of defenses because you don't have a lot of
followers."
In
contrast, Carroll got a huge career boost. His YouTube
video has been viewed 4.9 million times, and he plans to
release a follow-up Tuesday. Carroll said he's hired
three people just to handle the crush of publicity and
new bookings.
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