 |
|
Diners
at WD-50 in New York City find this mosaic by Tim
Snell over the sinks. To find the mirrors, check
the stalls.
|
NEW YORK —
Architecture can be a feast for the eyes while leaving the
tummy grumbling, as anyone forced to swallow bad grub in a
sumptuous setting can attest. Only when the dinner and the
decor click delectably can a memorable meal be made.
Despite often
long odds, there's never a shortage of willing players
confident or foolhardy enough to try their luck at this
high-stakes game. And nowhere is the game played with such
verve culinarily and architecturally than in New York
City. Here are four restaurants where the look is as
delicious as the fare.
—WD-50: Housed
in a former bodega on a slightly scruffy street on the
Lower East Side, this restaurant draws serious foodies
hungry for chef-owner Wylie Dufresne's playful,
cutting-edge interpretations of classic dishes. You'll
never think of eggs Benedict the same way after trying
Dufresne's deconstructed version: egg yolk pillows,
tissue-thin Canadian bacon wafers, and cubes of deep-fried
hollandaise. And cold leftover chicken never tasted as
good as this rich block of crispy bird garnished with
buttermilk ricotta, a shot of hot sauce and a spoonful of
caviar.
This is a
restaurant where the plates serve as china canvases for
edible art (one piece is even painted in chocolate).
Delivering the goods were the architectural firm of Asfour
Guzy, and the designers, Dewey Dufresne, Wiley's dad, and
Louis Mueller. The 67-seat dining room is kept simple, but
simple ain't boring: Walls are painted a tranquil blue,
and there are lots of blond wood trim and colorful glass
lampshades.
Menu descriptions
are minimal, so there's an element of surprise when dishes
are served. Even the unisex bathroom has its surprises:
Press gently against a seemingly black wall of wood, and a
stall door suddenly swings open. Inside the stall you'll
find the expected plumbing, a wall-mounted shelf and a
mirror. Why a mirror? Well, there's none over the row of
sinks. Instead there is is a lively underwater mosaic by
Tim Snell featuring curious fish and one feisty octopus.
WD-50, 50 Clinton
St. (between Rivington and Stanton streets), New York
City. 212-477-2900. wd-50.com.
—The Four
Seasons Restaurant: "Less is more" was the
dictum of Ludwig Mies van der Rohe, one of the major
forces behind the International Style of architecture. In
actuality, less was often less. But there were times when
the potential of minimalism was gloriously realized, as in
the stunning dining rooms of this landmark restaurant in
Park Avenue's Seagram Building.
Mies designed the
Seagram Building in collaboration with the architect
Phillip Johnson, who returned the favor with The Four
Seasons itself. Their teamwork gave the restaurant a
dramatic sense of self simply by its grand scale. In a
crowded city where square footage equals money, privilege
and self-entitlement, the dining rooms display a
jaw-dropping airiness so unforced, so natural that The
Four Seasons has embodied the power lunch ever since the
doors opened in 1959.
No need for
adornment beyond, say, a stray Picasso or the four
towering trees, now iconic, whose branches are changed
seasonally in the Pool Room. Every element of every room
was chosen to epitomize the International Style. Mies'
Brno chair was adapted for the dining room. Johnson did
the banquettes. Charles Eames created chairs for the
private rooms. Garth and Ada Louise Huxtable came up with
the service pieces. Eero Saarinen whipped up the hassocks
for the lounge. The Four Seasons has drawn the world's A-listers
to dine and their security guards to stand around and
watch for more than 50 years.
Offering a $48
Kobe burger, of course, helps foster that exclusive feel.
The menu is loaded with familiar dishes like this, smartly
done. One can get down to business without being unduly
distracted, say, and still leave feeling sated. If one can
get over the conceit of spending about $300 for two at
lunch — and this may be one of the few places on earth
where it feels justifiable — The Four Seasons can be a
feast for the stomach as well as the eyes.
The Four Seasons
Restaurant, 99 E. 52nd St. (between Park and Lexington
avenues). 212-754-9494. fourseasonsrestaurant.com.
—Gotham Bar and
Grill: Chef Alfred Portale made a name for himself in the
1990s with "tall food" and its soaring, dramatic
presentations. Today, the food is lower on the plate but
still delicious as the chef enters his 27th year in the
kitchen. As for the restaurant, well, Gotham Bar and Grill
remains a must-do in Manhattan, an eatery whose menu,
service, decor and vibe work together seamlessly. All
these years later, my pulse still races a bit as I scurry
through Greenwich Village in the gathering dusk and see a
golden glow spilling out onto East 12th Street through the
broad glass windows of this former antiques store.
Gotham keeps its
look as fresh as the food, which has a sophisticated
American accent that stresses seasonality. The
restaurant's website notes there are periodic updates of
the dining room, the menu covers and the killer art
collection so the place "remains always vibrant and
ever-current." That translates into soaring ceilings,
plush upholstery, towering floral arrangements, plenty of
white paint and theatrical lighting. Yet it's also a
surprisingly private experience. Even with every table
taken, there still seems to be a relaxed feel. Attentive
staffers never seem rushed; they seem as though they have
all the time to devote to you.
Gotham Bar and
Grill, 12 E. 12th St. (between Fifth Avenue and University
Place). 212-620-4020. gothambarandgrill.com.
—Daniel: This
eponymous flagship of Daniel Boulud's worldwide restaurant
empire epitomizes not only the signature perfection of the
dashing chef but the grandeur of New York's finest fine
dining establishments. Plate after plate, each sporting a
beauty both visual and tactile, arrive at the widely
spaced tables with all the flourish crack service and a
hawk-eyed attention to detail can command.
The food is pure
luxury along French lines. A three-hour tasting menu (six
courses, $185; optional wine pairing, $105) can kick off
with duck terrine with Sicilian pistachio, rose
petal-poached rhubarb, black cardamom gelee and mesclun,
then swing to grilled Alaskan salmon with chanterelle
mushrooms, wilted spinach, green garlic and a green
peppercorn sauce.
The former tea
room of what was the Mayfair Hotel has good neoclassic
"bones," with 18-foot coffered ceilings, elegant
arches, lithe columns and, always, space-space-space.
Designer Adam D. Tihany spearheaded a 2008 redesign that
augments the luxe look with a largely neutral color
palette, six mixed-media paintings of a Renaissance woman
by Manolo Valdes of Spain, and sculptural fixtures that
throw a soft, flattering light.
Daniel, 60 E.
65th St. (at Park Avenue), 212-288-0033. danielnyc.com.