The Fireside has a tradition of putting on a Christmas show each year, from the end of October to a few days before Christmas. I have witnessed several Christmas shows over the years, including last year when they combined the traditional Christmas fare with "The Child," a rock musical in the series by Gary Richardson and Danny Hamilton.

Despite that spectacular pairing, this year’s show surpasses that offering for its musical choices, its dances, its selection of stories, its colorful costumes, its overall precision and its elegance. The songs were varied, ranging from sacred to secular, from humorous to inspiring. All in all, it was a very satisfying experience.

Mike Haws served well as the narrator. He has a soothing speaking voice and is very expressive when he tells a story. The tale of the tree that wanted to become a ship is a beautiful one, leading into the Nativity scene.

The historical references regarding many of the carols also adds another dimension. The personal Christmas memories of cast members Matthew Conti and Bianca Denis are delightful, as well.

"Christmas Songs and the Stars That Made Them Famous" is a nostalgic segment where soloists re-create various hits. The most successful include "Santa Baby"(Eartha Kitt) by Bianca Denis, "Blue Christmas" (Elvis Presley) by Matthew Conti and "The Christmas Song" (Mel Torme) by Carl Hulden.

Children get into the act with Aidan Buckingham-Taylor’s well-executed "I’m Getting Nuttin’ for Christmas," Natalie Hershman’s melodious "Let There Be Peace on Earth" and Ellyn Scheuerell’s amusing "I Want a Hippopotamus for Christmas." "I’m Gonna E-Mail Santa Claus" is a number that reminded us how change often dominates traditions.

Besides the humor provided by some of the children’s tunes, the parody of "The Twelve Days of Christmas," a la "The Twelve Days After Christmas," is a real hit as rendered by Erin O’Neil.

"The Snowman" story is certainly a highlight of the show. Andrea Dotto and Philip Northington render their parts as boy and snowman beautifully. Their dance, as well as that of the snowflakes, enhances the dreamlike story. It is absolutely charming.

The costumes in the sequence of traditional carols are elegant. "Of the Father’s Love Begotten" is a lovely addition, and Mathew Schwartz’s rendering of "I Heard the Bells on Christmas Day" is noteworthy.

"Silent Night" is always a treat if well harmonized. Its simple beauty continues to move us.

Other stirring ensemble numbers include The Nativity scene with its sumptuous costuming and pageantry. Danielle Dickert Fuhrmann’s angelic dance is splendid. Lucy Horton’s strong, mellifluous voice is featured in this segment, as well.

The final number, "O Holy Night," featuring soloist Katie Travis, is a glorious sendoff. It is wrenchingly affecting and brought the audience to its feet, a rarity at the Fireside.

Directors Ed Flesch, Mary Ehlinger and Kate Swan continue to combine their impressive talents to fruitful ends.

I would highly recommend this show as a way to ignite the Christmas spirit.