MILWAUKEE
- Put two extraordinary musicians together - a phenomenal
pianist and a song and dance man - and one is in for a
mesmerizing treat.
Perfomer and playwright Jon Peterson makes his Milwaukee
Repertory Theater debut by giving us a history of some of the
greats in vaudeville, theater extravaganzas, movie musicals
and Vegas shows, and all the while Jack Forbes Wilson is
accompanying him with his keyboard magic in "Song Man
Dance Man."
The energy that both exude is hard to believe, considering
that it is a two-hour show and they are performing it seven
times a week. They are troopers of the highest order.
On this melodic journey, we meet George M. Cohan, Fred
Astaire, Bobby Darin, Gene Kelly, Sammy Davis, Jr., Anthony
Newley and Donald O’Conner. As we watch them dance and
listen to some of their signature songs, we learn some
personal tidbits about their lives, both in and out of show
business.
Peterson does not give us a perfect replica of any of them,
but he styles his dance and songs with the distinct flavor of
each performer. He is amazingly versatile and very comfortable
both with his audience and his material. By the end of the
show, we are thrilled to have met him and happy to have
revisited each of these talented stars.
We also are reminded of some of the great songwriters from
the past: Cohan, Irving Berlin, Ira and George Gershwin,
Darin, Newley, Hoagy Carmichael, Johnny Mercer, Cole Porter
and others less famous, such as Walter Marks, who gave us
Davis’ signature song, "I Gotta Be Me," and one of
Darin’s big hits, "Mack the Knife," written by
Kurt Weill and Bertolt Brecht.
Some of Peterson’s most powerful numbers are "For
Once in My Life," "If I Ruled the World" and
"Lazy River." As he dances, mostly tap dancing, we
relive the likes of Kelly and Astaire, O’Connor and Cohan
and Davis. As he sings, we hear the passion of a Darin or
Newley.
Artistic director Brent Hazelton, who also brought us
"Liberace" with the flamboyant Jack Forbes Wilson,
has done it again with a show that will dazzle all who are
fortunate enough to see it. It is a show that keeps building
to the climactic rendition of Newley’s "What Kind of
Fool Am I."
My last comment is this - if you love some of the old
masters of song and dance, you would be a fool to miss this
show.