Oscar
Wilde’s witty comedies are always fun to re-experience. The
dialogue is ever clever as he questions the superficial values
and masks of propriety and respectability that dominated
Victorian society.
The Boulevard Ensemble Theatre’s skeletal production
modernizes the original version by eliminating the frothy
costumes and elegant sets, and just portraying the characters
and the dilemmas they create.
A chandelier, a few roses, teacups, three mirrors and
minimal furniture symbolize and suggest the world of the
British elite at the end of the 19th century. We get the
picture through Joe Fransee’s well-chosen props. Norman
Gaulin’s sound and music design also contribute to the
atmosphere.
A farcical style and exaggerated blocking both serve to
underline the artificiality of the world these characters
inhabit. Hypocrisy is also lampooned.
Lady Bracknell is very concerned about her daughter
Gwendolyn’s choice of mate and yet was not too wise in her
own selection; Canon Chasuble claims to be a celibate and yet
flirts blatantly with Miss Prism; Miss Prism preaches the
value of propriety to her student Cecily and yet loses her own
when the preacher is around. Algernon disparages love and
marriage and yet makes a move on Cecily in the first moments
of their meeting. And on and on it goes.
Kyle Queenan, Margaret Casey and Megan Kaminsky are
standouts in the cast. Everything about Queenan is Algernon,
his physical appearance, his movements, his British accent and
his vanity - perfectly created.
Casey as the brittle, self-righteous, domineering Lady
Bracknell captures it all. Kaminsky is very convincingly
rendered as Cecily. Kaminsky embodies her frivolous innocence.
Other members of the entourage include Clarence Anment as
the obsequious butlers of two households, David Ferrie as the
wide-eyed, puffed-up cleric, Tess Cinpinski as the tempestuous
daughter of Lady Bracknell, David Matthew Bohn as the split
personality of Jack and Earnest and Mary Buchel, who creates
the ditzy tutor, Miss Prism.
If you have never seen "The Importance of Being
Earnest," here’s the opportunity to do so. Even if you
have, the contrasting style Mark Bucher has chosen to use will
prove quite interesting.
"The Importance of being Earnest" runs through
Dec. 3 at the Bouvelard Theatre, 2252 S. Kinnickinnic Ave.,
Milwaukee. Call 414-744-5757 or visit www.boulevardtheatre.com
for show times and tickets. Due to the show’s popularity,
guests are encouraged to purchase tickets in advance as many
shows are already sold out.