Anton
Chekhov lived his short life (1860 to 1904) with passion and
productivity. But as a physician and writer, he was probably
best known for his short stories.
Three of his plays have survived the ravages of time -
"The Seagull," recently produced at Wisconsin
Lutheran College, "The Cherry Orchard," staged at
The Milwaukee Rep, and now "The Three Sisters,"
which just opened by The Windfall Theatre at the Village
Church Arts, 130 E. Juneau Ave., Milwaukee. It is gratifying
that some of these old classics still speak to modern
audiences.
The themes of family, societal class structure, the roles
of work and education, progress and the pursuit of that
elusive commodity called happiness are all played out. It is a
drama replete with dreams, ennui, frustration and a great deal
of philosophizing, which often typifies Chekhov's work.
The entire drama unfolds on the Prozorov estate in a
provincial town far from Moscow. The remote setting accounts
for the restlessness of many of the characters. There is a
military base in town, and many figures from that location
come and go. The sisters' father, deceased one year when the
play begins, was the battery commander until he died; thus the
family's connection to the military. Their mother is also
dead.
The sisters - Olga, Masha, and Irina - all in their 20s,
are in turmoil as the play opens. Olga feels overworked in her
job as a teacher, Masha is in a very unsatisfying marriage to
an older schoolmaster and Irina, the youngest, longs to go to
Moscow to find meaningful work and a husband. Their brother
Andrei is a musician and a scholar and dreams of being a
professor.
The proximity of the military definitely affects the
sisters' lives. Several of them fall in love with the
beautiful Irina, and Masha is infatuated with the married but
fascinating Vershinin, the newly appointed battery commander.
Olga, the responsible mother figure, tries to take care of
everyone, but often neglects her own needs in the process. She
is the responsible but lonely oldest sister.
The strong sense of societal stratification comes through
in the marriage of Andrei to the peasant girl, Natasha. Her
entrance into the family turns the house upside down, even
affecting their long-time servant Anfisa. The serf has become
the master.
A sterling cast enacts the drama. Carol Zippel, Amy
Hansmann and Bethany Logocki are all masterful in
individuating their roles as Olga, Masha and Irina,
respectively. Other outstanding performances are rendered by
Ken Williams as the troubled Andrei, Liz Mistele as the
haughty Natasha, Robert W. C. Kennedy as Vershinin, the
compelling battery commander, David Ferrie as the simpleminded
Kulygin, Michael Kane as the cynical Chebutykin and Gladys
Chmiel as the loyal servant Anfisa.
Director Maureen Kilmurry skillfully recreated this rich
drama, one that reflected a remote time and place and yet
resonated with universal human themes - the search for love
and meaningful work, the fear of and hope for the future and
the desire of each person to contribute something lasting, to
make sense of one's existence.
The irony is that the play ends with only two happy
characters - the somewhat delusional schoolmaster Kulygin and
the servant Anfisa, whom Olga has rescued from the hands of
the ruthless Natasha.
Don't miss this powerful experience. "The Three
Sisters" runs through Feb. 27. Call 414-332-3963 for
tickets. You won't regret visiting The Village Playhouse in
the Village Church on Juneau, a church whose three-fold
mission is to explore spirituality, community and the arts.