Combine seven gifted musicians and
eight talented vocalists. Give them a great medley of songs
from the 1950s and 1960s. Grace them with skilled direction
and a knowledgeable narrator and tuneful arrangements and you
have the formula for a sure hit at the Fireside Theatre in
Fort Atkinson.
"Those Fabulous Fifties and Sixties" somewhat
mirrors other musical revues offered by this company in the
past - "Best of the Bands" and "Those Fabulous
Fifties," both recent productions and both very
enjoyable.
Dan Embree describes a new wave of music and some of its
early creators. The iconoclastic musical, "Hair,"
was a pretty authentic '60s statement about peace versus war
and tolerance versus judgment. The show opens with an electric
reprisal of "The Age of Aquarius." We're on our way
and already know it will be a memorable ride.
The music of Buddy Holly, The Beach Boys, The Beatles,
Elvis, The Loving Spoonfuls, Simon and Garfunkel, Connie
Francis, Patsy Cline, The Mamas and The Papas, Ritchie Valens.
Chicago and The Isley Brothers, just to name a few, brought
back memories and soothed or invigorated us again.
The ensemble numbers with their tight harmonies and zesty
choreography were especially impressive. Besides the Aquarius
number from "Hair," which opened the show, they used
"Let the Sunshine In" from the same '60s hit musical
as their finale. Other ensemble treats included the inspiring
"Stand By Me," the soulful "Bridge Over
Troubled Waters" and the free-flowing 5th Dimension
number, "Up, Up and Away." All were very moving.
The solo numbers that stood out among many good ones
include the versatile Mathew Schwartz's recreation of "La
Bamba" with its fascinating rhythms and his capture of
the pure simple sound of "Scarborough Fair."
Lindsay Powell's earnest "Where the Boys Are,"
Toni Carrington's authentic delivery of Patsy Cline's
beautiful "Sweet Dreams," Cooper David Grodin's
sweet rendering of The Beatles' "I Wanna Hold Your
Hand" and Cary Von Murray's inimitable delivery of
"Shout," as well as his relaxed, hip-styling of Otis
Redding's "Sittin on the Dock of the Bay," almost
drove me to start a premature standing ovation.
Besides the melodic vocal arrangements, we also got to
watch seven great musicians do their stuff from the center of
the stage. John Hibler did wonders with Lulu's "Back in
Town" on his clarinet, and Jeff Pietrangelo did a
furious, intricate arrangement of the "Green Hornet"
show theme on his trumpet. The whole band blasted out the
"Hawaii Five-0" theme with verve. What a
power-packed group of instrumentalists.
Variety, comedy, musical history and a sequence of
wonderful tunes filled the air during two and a half hours of
sheer pleasure. A review of '50s and '60s fashions was another
bonus, thanks to costume designer, Eleanor Kingsley.
We'll never forgot Dan Embree's resurrection of the one and
only Ed Sullivan, either, a sort of fuddy duddy guy with a
great eye for talent and who launched many a dreamer to
stardom.
This production runs multiple times per week through March
7. Call 800-477-9505 for times and tickets. Group rates are
available.