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Holiday story 'A Christmas Carol' never gets old
Lake Country Players' version features many high points

By JULIE McHALE - TImeOut Theater Critic 

December 6, 2012

 
HARTLAND - The Lake Country Playhouse opened its musical version of Charles Dickens’ famous work “A Christmas Carol” last weekend, and the house was full for the Saturday show. People never seem to tire of this story, especially now that music is often embellishing many new versions of the drama.

In 2004, Archangel Productions had its first showing of the adaptation by Michael Koscinski and Ernest Brusubardis. It was performed at Oconomowoc Middle School and was followed by successful performances at the Sharon Wilson Center and Mount Mary College. It is gratifying to see this lovely work unearthed again. It is a perfect vehicle for a community theater because of its large cast and its shortened length of 90 minutes.

Set designers Ron Ehlrich and Verne Thieme have created a flexible backdrop that is easily converted to indoor and outdoor scenes. Costume designer Katie Davis, with her coterie of helpers, brings us back to the mid-19th century. Scrooge’s nightwear is especially eye-catching.

We all know the story, so here are the highlights of this particular production. Scrooge is especially well- rendered by Rich Richter. Richter, with his dashing good looks, usually plays romantic leads, but in this role, he had to transform himself physically and mentally. He did so with nuance and mastery. 

Even when he sang his song near the end, filled with regret and a determination to change, he conveyed both his rigidity and his vulnerability. From start to finish, he is fantastic. There are many scenes in the play when he has no lines and is just observing. He is very facially reactive as he encounters a life review via his four nocturnal visitors.

Christmas Past, played by Erica Edquist, mesmerizes us with her beauty and her astounding voice. Christmas Present gets some laughs via Mike Crowley’s gyrations. An agonizing portrayal of poor Jacob Marley is convincingly delivered by Scott Stenstrup. His moans are chilling.

I enjoyed Deb Lemke’s Mrs. Shelby, too. She and Richard Levine do a memorable job of gloating over Scrooge’s “effects.” Roseann Fasi is a very tender Mrs. Cratchit, but she shows some spunk, as well. Her sweet song to Tiny Tim, though a bit out of her range, was very moving. Aaron Bronner as Tiny Tim certainly steals our hearts. Bob Hurd plays Bob Cratchit as a mincing pushover but a lovable husband and father.

Perry Gross as Fred, the faithful nephew that never gives up, takes the stage with strength, and the two solicitors, Richard Levine and Katie Wilke, play their cameo roles well.

The Cratchit children, represented by Hannah Bonner, Julia Gesell and Evan McKenzie, enact their small parts with fervor. We love their little family.

Zachary Schmidt needs to react more when his fiancˇe Belle is leaving him. That whole scene should be wrenching since it is such a turning point in Scrooge’s life. The ensemble numbers are a bit ragged, but melodious, nonetheless.

Overall, it was evident that the audience enjoyed the experience. A little 7-year-old sitting in front of me said when the show was over, “I want them to do it again.” High praise from one so young.

Nicely directed by Karen E. Kruger with the musical expertise of Catherine Pfeiler to assist her, the show runs two more weekends.  Support your local theater. You’ve got a good one in the Lake Country Playhouse.

“A Christmas Carol” continues weekends through Dec. 16 at the Lake Country Playhouse, 221 E. Capitol Drive, Hartland. For show times and tickets, call 367-4697 or visit www.lakecountryplayhouse.net