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Northern folklore drops in at Sunset Playhouse
Lumberjacks move from blissful isolation to all about love

By JULIE McHALE - TimeOut Theater Critic

January 24, 2013

 
ELM GROVE - The late Fred Alley and James Kaplan were a memorable team best known for creating folklore about the northwoods.   

Alley took over the Heritage Theatre in 1991 and ran it until his unexpected death in 2001. The American Folklore Theatre up in Door County is a company that features family-friendly original musicals, performed at an outdoor venue in Peninsula State Park. Their works have a regionalist flavor and often include “guy humor,” which many people enjoy. Guys behave differently when there are no women around. They are sloppier, cruder, less inhibited and often feel less restricted to do and say what they want without fear of judgment or reprisal. This gender-difference emphasis seems to appeal to both men and women because we are both often befuddled by each other.  

The Sunset Playhouse continues its tradition of offering a wide variety of comedies, dramas and musicals. “Lumberjacks in Love” follows the practice of gently satirizing local characters and more in northern Wisconsin, much like “Greater Tuna” of last season, which had a heyday with a small town in Texas, though I think the latter play has more of an edge to it.  

After seeing “Guys on Ice” and “Spitfire Grill” several times, I was anticipating a bit more than “Lumberjacks” delivered. Not that this production didn’t offer some laughs because it did, but the quality of the music, the cleverness of the dialogue and the distinctiveness of each character was not as rave-worthy as I had expected.  

The basic premise of the story is four lumberjacks occupy a shanty (great set design by Chris Kurtz) and relish their lifestyles and freedom minus all females. Ironically, a young woman disguised as a man visits them regularly as a mail deliverer and falls in love with Moonlight, the youngest and most romantic member of the male camp. Another intrusion into their exclusive club is about to occur because Minnesota Slim, while under the influence, requested a mail-order bride, an action he now regrets.  

When this quartet is not cutting trees, they sing, dance, eat, drink and celebrate their idyllic bachelor lives. And yet, a common theme in the works of Alley and Kaplan surfaces - these men are missing the love and romance that a woman can provide. One even sees it in Dirty Bob, who misses his mother’s attentions. There is no perfect existence. The vocal power of each of the actors is not extraordinary, with the exception of Maureen Smith, whose voice is almost too “trained” for this setting, but the ensemble numbers are melodic and well done, especially the closing song when all six characters join together at curtain call.  

Sara Lessman as Kid renders her love song with poignance, Matt Kuhnen in his role of Dirty Bob provides the best physical humor and Phil Stepanski as Moonlight is a character we want to rescue.  

Glen Villa as Minnesota Slim and Matt Knudson as Muskrat are not as strong, but they contribute to the general playfulness of the story.  

Not acknowledged in the program except as musical director is Bryan Myers, who provided the lively piano accompaniment along with several others who should have been credited, as well.  

“Lumberjacks in Love” is directed by Jill Ponasik from the Milwaukee Opera Company and choreographed by James Zager of Carroll University.  

“Lumberjacks in Love” runs through Feb. 17 at the Sunset Playhouse, 800 Elm Grove Road, Elm Grove. For show times and tickets, call 782-4430 or visit www.sunsetplayhouse.com