Elmer Rice's "The Adding
Machine," written in 1923, is often considered the first
American expressionistic play.
Converted into a musical in 2007 by Josh Schmidt and Jason
Loewith, it won four Obie awards for direction, design and
performance, four Lortel awards and two Outer Critics Circle
Awards.
Though it did not enjoy a long off-Broadway run, it
continues to be produced in regional theaters. The Skylight
Opera Theatre has chosen it to close its season.
Playwright Schmidt spent his high school and college years
here, as well as his early performance years in various local
theaters. In his own words, "My career radiates outwardly
in concentric circles from my formative experiences in
Milwaukee."
Schmidt claims to have had the Skylight in mind when he
wrote the musical version of Rice's play. The lovely Cabot
Theatre is a perfect intimate venue for a play of this style
and intensity.
The first thing that sparks our interest is Nathan Stuber's
set design. The opening scene with Mr. and Mrs. Zero in a
vertical bed was his first ingenious surprise. The conversions
from office to jail to the Elysian Fields were swift and
smooth. The score was often dissonant and jarring, but
sometimes lyrical as well, an unusual mix of styles.
The plot is quite straightforward. Mr. Zero, after spending
25 years on the job adding up figures in a retail department
store, is suddenly replaced by an adding machine in the
service of efficiency and profit. In a fit of rage, he kills
his smug boss and is sentenced to execution. Before he dies,
he has an interesting exchange with a fellow cellmate who
murdered his mother. They both speculate about what's to come
after death. He is also visited by his shrewish wife.
The scene then switches to The Elysian Fields, where both
Mr. Zero and his jail buddy, Shrdlu, discover that no one
cares what they've done in their previous lives. Zero's former
secretary Daisy, who has been secretly in love with Zero, soon
joins them after having committed suicide. What happens next
will await those who choose to visit this production.
Ray Jivoff as Mr. Zero portrays the cloddish, rigid, obtuse
character perfectly. Though he rejects the new machine that
replaced him, he is very mechanistic himself. Daisy tries to
redeem him, but it's to little avail.
Zero is just that when it comes to positive emotions.
Niffer Clarke's dulcet tones and gentle innocence serve as a
beautiful contrast to Zero's blindness. Mrs. Zero, his
termagant wife, is well rendered by Liz Pazik. Her strident
voice is fittingly annoying. Rich Pendzich is a credibly scary
Shrdlu, a man who wants to be punished, not forgiven. His
sense of justice is upset when he is rewarded.
Other members of the cast include Parker Cristan, Christina
Krasovich, Jonathan Steward, Toni Fletcher and Steve Koehler,
all of whom lend their rich voices to the ensemble numbers.