Just as every May in my life has
become consumed with the anticipation over a superhero
blockbuster, so has every August become a depressing desert of
one-star wonders.
It is, by far, the worst month to be a movie lover. And
over the past three or four years, the only thing that has
kept my sun shining has been that mid-month e-mail from the
programmers over at the University of Wisconsin-Milwaukee,
announcing the forthcoming autumn lineup at the Union Theatre.
To say it is a light at the end of a long, dark tunnel
would be an understatement. Summer cinema is repetitive,
derivative and dull. And the Union Theatre couldn't be any
more different. This is the state's most daring and vital film
institution, and it brings to its screen dozens of films every
year that would never be available to you or me otherwise.
It is my Mecca.
Pouring over the fall 2010 lineup, I was every bit as
impressed as I was last spring by what the organizers
harangued for Milwaukeeans. In fact, as I scanned such titles
as "The Army of Crime," "Sanjuro" and
"The Killer Inside Me," I once again started to have
faith in the diversity, complexity and longevity of brilliant
moviemaking.
The entire season begins in just eight days, with Spike
Jonze's grossly misunderstood, highly underrated meditation on
"Where the Wild Things Are" (showing Aug. 27 to Aug.
29). And that's just the start of a season lined with vibrant,
vital fare. I've pored over the first six weeks and singled
out five definite highlights. So mark your calendars now and
get ready for the return of real Milwaukee cinema (see the
full schedule at uniontheatre.uwm.edu):
Aug. 30 and Aug. 31: Guillermo Del Toro's trippy
anti-superhero superhero film "Hellboy," which
offers up a super-powerful demon baby as the world's unlikely
savior.
Sept. 10 through Sept. 12: "Lourdes," Jessica
Hausner's inspiring and haunting meditation on the act of
devotion. A wheelchair-bound woman travels to Lourdes, the
iconic pilgrimage destination in the Pyrenees Mountains, on a
quest to be healed and walk again.
Sept. 15: A special advance screening of "Howl,"
starring James Franco as a young Allen Ginsberg, off on
several of the adventures that marked the young poet's early
works.
Sept. 17 through Sept. 19: "The Oath," director
Laura Poitras' second chapter of a trilogy focused on
turbulent post-9/11 lives. "The Oath" puts the focus
on the military tribunal system, watching as Osama bin Laden's
former bodyguard and his brother-in-law - a prisoner at
Guantanamo Bay - are the first to face the newly reconfigured
tribunal hearing.
Sept. 22: "Sweet Crude" is a haunting
documentary, telling the story of Nigeria's Niger Delta as a
case study of an energy-driven, divisive era. Right under the
feet of a desperate, poverty-stricken population lies
expansive oil reserves - pools of black crude that make some
in the nation wealthy even as the environment is destroyed by
those sustaining themselves off the land. Wealth and poverty,
living side by side, defined by the world's addiction to oil.
It's a film not to be missed.
E-mail: snyderreviews@hotmail.com