'Nearly
six months after it was yanked out of theaters - quite
prematurely, I might add, given the box office it was still
generating when "Alice in Wonderland" thundered onto
all the 3-D screens - "Avatar" returns to theaters
Friday as a special edition, touting nine extra minutes.
In almost any other case, where a film was re-released with
only minor alterations, I would cry foul. Not only would it be
a shameless attempt to cash in on a familiar name brand, but
why would the director go ahead and mess with something that
was perfectly good to begin with? I remember feeling this way
with the "Star Wars" re-releases: Why add in CG
backgrounds when we loved the sets just the way they were the
first time through Tatooine?
But in any event, "Avatar" is coming back at the
right time. Not only is the movie exciting and entertaining
and deserving of more time on 3D screens that were far more
limited back in December, but far more importantly, it
continues to stand tall as the most exhilarating proof of what
3-D cinema is capable of.
So in regards to the "special edition," there are
three things to address: The film, the extra footage and the
3-D debate that has been swirling as recently as "Step Up
3-D," a dance movie that some critics said had no
business being in 3-D.
Let's begin with the second item: The nine new minutes are
compelling and almost all hefty additions to the story. These
aren't extraneous seconds of footage, but tangible asides that
add depth and texture to the characters we've already come to
appreciate.
Three key new sequences would involve the death of Na'vi
warrior Tsu'tey, which does not happen off-screen this time
around, but occurs front and center; a whole new battle
sequence that takes place right after the humans first raze
the magical Pandoran willows; and the introduction of a whole
new species of Pandoran animals via a "Sturmbeest
Hunt."
I found the additions substantive, particularly the death
of the Na'vi warrior, who does not so much fall to the
sidelines this time around but arrives at his final moment in
an honorable, sympathetic fashion.
Seeing the film anew for the first time in half a year, I
find it difficult now to look beyond some of the formulaic
plotting and simplistic story construction. It's a very
typical exotic romantic thriller. The more times you watch it,
the more obvious the structure becomes.
But after a year of lackluster 3-D treatments, what I find
most compelling about "Avatar 2.0" is that even
though I found the story more wanting than previous viewings,
I found the 3-D that much more dazzling. This truly is the
gold standard of 3-D epics, the movie that shows what can be
done when you start with 3-D from day one and do your due
diligence in integrating the technology into every aspect of
the production and exhibition.
We have had a year of depressing 3-D conversions - movies
like "Clash of the Titans" and "Despicable
Me" which truly did not need that extra third dimension.
And as the 3-D ticket sales have waned and films like
"Step Up 3D" have gone to great pains to market
themselves as 2-D films, as well, Hollywood seems to be at a
crossroads in terms of this next great technological hurdle.
For those who loved "Avatar," I would highly
recommend this return screening. You'll feel like you saw a
couple new hearty scenes. But it's for those who never saw the
movie in 3-D that this is a must-attend event.
Before you miss the chance again, see 3-D executed as high
art. More than anything else, I am wondering if
"Avatar," paired with December's "Tron:
Legacy," which was also created in native 3-D from day
one - and also sports a virtual world that could benefit from
the 3-D treatment - could resuscitate Hollywood's fading
dreams of ambitious 3-D endeavors.
Only time will tell.
E-mail: snyderreviews@hotmail.com