Whenever you see the names of
Jonathan Smoots, Mary MacDonald Kerr, and David Cecsarini on
the playbill, you know you’re in for a treat. These three
talents constitute the auspicious cast of characters in the
profoundly moving and magically poetic script by the Irish
playwright, Brian Friel, in his drama entitled "Faith
Healer."
Constructed as a series of monologues, each character tells
his/her story, sometimes the same story from their individual
perspectives (don’t ever think we see similar events
similarly). We meet the itinerant faith healer, one Frank
Hardy, exquisitely rendered by Smoots, as he talks about his
travels through Wales, Scotland and Ireland, and his
mysterious "gift" of healing. We’re not sure, nor
is he, just why this "miracle" sometimes occurs but
more often than not, doesn’t. Is he a con, do people believe
that he has this power so it works for them, are they really
healing themselves, or is God’s hand at work here? We never
find answers, just ponder the questions that are so powerfully
raised here.
Next we meet Grace, his wife/mistress (it’s never
entirely clear). She travels with Frank, tending to his needs,
putting up with cruelty, his moods, his heavy drinking. Their
relationship is tumultuous, but some sort of irrational
loyalty prevents her from deserting him. She relates that she
once delivered a stillborn baby in the back of their van. She
is becoming unglued when we meet her, but she is seeing a
therapist (another type of "faith healer")?
MacDonald-Kerr wrings us dry with her interpretation of this
hapless soul.
Lastly we spend a half hour in Teddy’s apartment as he
drinks his ale and tells us his version of the story. Teddy,
Frank’s promoter, provides us with a few laughs - up to this
point "grim and grimmer" have been dominant - but at
some point his tale takes on a different hue, and we are again
wrenched back into tragedy. Perhaps because of the contrast,
his narrative moves us most. Cecsarini is masterful.
All three actors are superb in their roles. The
relationships among the three of them are enigmatic and
unnerving. In fact as their self-revelations unfold and they
talk about each other, we’re often not at all sure what
holds them together. We almost wish that something would break
the bonds that connect them. It becomes painful to be a part
of their anguish.
The scenic and lighting designs worked beautifully, thanks
to the talented Rick Graham and Jason Fassl, respectively.
That last scene with the faith healer silhouetted against the
backdrop took my breath away. Sensitively directed by Edward
Morgan, this show runs through March 2. Call (414) 278-0765.