I first encountered Chris Klopatek
in his sophomore year in my speech class. My first impression
of him was that he is charming, intelligent and impish. He's
what many would call "a cute little guy." He also
had a natural bent for amusing others, including me.
This combination of talents has served him well in his
ongoing pursuit of a career in the performing arts. Patrick
Holland and Ray Jivoff, two professional actor/director/
mentors who worked at Catholic Memorial High School during
Klopatek's student years there helped him discover and develop
his talent, and he mentions both of them as significant
influences.
At the University of Wisconsin-Whitewater, Klopatek met Jim
Butchart, and his coaching prompted Klopatek in his sophomore
year to change his major from computer management systems to a
degree in fine arts. Angela Ianonne, one of Milwaukee's most
accomplished actors, persuaded Klopatek to audition at
Milwaukee Chamber Theater for "The Bible: The Complete
Works of God Abridged," which turned out to be his first
professional gig. He will shortly be opening as the lead in
"Around the World in Eighty Days," his last stint
here before going off to California to pursue an MFA degree in
a class of eight other carefully chosen participants.
Since graduating from Whitewater in 2004, Klopatek has had
significant roles in Milwaukee and in Spring Green at the
American Players, a theater group that specializes in
Shakespeare, a playwright whom Klopatek has grown to love over
the years. One of his favorite Shakespearian roles was Puck
from "Midsummer Night's Dream," a role he played in
high school. Another was Horatio in "Hamlet," which
he played for Nevermore Theater. David Daniel, the director of
education at American Players Theater, has also been a part of
Klopatek's formation, especially in his ability to understand
Shakespeare - no easy task.
Several other noteworthy roles include Jeff in
"Kimberly Akimbo," where he got to work with the
auspicious Ruth Schudson, and Ghia in "The
Producers," where he paired up with his mentor from high
school, Ray Jivoff, a well-known actor of varied and
prestigious talents. Klopatek's had the privilege of working
with and observing the splendid work of such actors as
Jonathan Smoots, James DeVita, Brian Mani, Jim Ridge, Sarah
Day and Michelle Arnold, all of whom he has tried to learn
something from.
Klopatek prefers roles with a twist rather than just
playing someone's love interest.
The role of Passepartout in "Around the World,"
which he is working on as I pen this article about him, is
just such a role. The production uses only five actors who
will play close to forty roles. Klopatek will be sharing the
stage with two of Milwaukee's most prominent actors whom he
greatly admires - Norman Moses and Robert Spencer - who will
create most of the roles. To use Klopatek's own words,
"The rehearsal process is one of the most inventive,
creative, collaborative and tiring experiences I've ever had
... and I'm loving every minute of it."
Of course, though Klopatek has been able to enjoy a more
promising start than many young actors, it has not been a
breeze either. When you're engaged in one role, you're always
hustling for another. In the meantime, you have to pick up
another side job just to survive. Those jobs for Klopatek have
included delivering futons, hanging lights and being a boat
dock worker in Door County. He has also worked with
educational programs for the Skylight and The American
Players, has made some commercials and done some voice-over
work. Every experience one has can be useful when it comes to
acting.
Klopatek's hopes for the future include possible entry into
the television and film industry, a tough go, but one he wants
to pursue nonetheless. We wish him well on the West Coast, but
hope he comes back "home" and delights us once
again.
"Around the World in Eighty Days" opens Friday.
Call (414) 291-7800 for times and tickets. It's sure to be a
memorable adventure and a big hit.