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'The Narrows' earns 
little fanfare

By STEVEN SNYDER - TimeOut Movie Critic

November 6, 2009

 
Every year, there a good number of movies that go directly to cable or DVD.

At one time, these were seen as the failures; the ones who couldn’t hack it for a theatrical campaign. But not anymore.Nowadays, it’s not uncommon to see movies, namely documentaries, going directly to HBO for their premieres. Other films are embracing the video-ondemand option of many cable operators.

And then there are films like "The Narrows," which toured the nation’s film festivals and even racked up a special award at this year’s Nashville Film Festival and yet failed to entice any film distributors. (Given what happened at this year’s Toronto Film Festival, where few offers were made to buy up new films, this is becoming a far more common occurrence).

Aside from winning an award, "The Narrows" features a cast of prominent actors, including names like Vincent D’Onofrio and Michael Sirow.

But this past Tuesday, with little fanfare, "The Narrows" started appearing on the shelves of area of DVD stores. If you walked by it, you probably wouldn’t know anything about it and surely not that it was being toured through festivals aggressively over the past year, by producers who were convinced that it could have a life at a Marcus Theater near you.

The story at the center of it all involves a workingclass boy from humble roots (Kevin Zegers) who has dreams of becoming a photographer. But his father (D’Onofrio), who has lost his wife and his job and is now living at home off disability and earnings as a bookie, is too proud to let his boy Mike take a university scholarship. So Mike instead goes to work for a local hoodlum, running mysterious packages for a few quick bucks, juggling his life as aspiring artists and experienced mafia grunt.

While the film feels slightly conventional, hanging its hat on familiar themes of disappointing families, lucrative sins and wasted potential, "The Narrows" nevertheless sports some top-notch performances, creating characters that are genuinely torn as to how to lead a life well lived.

But the film’s fate is rather common nowadays. With fewer films going to movie theaters, there are more and more filmmakers looking for alternate distribution strategies. The prominent filmmaker Wayne Wang decided to release a film via YouTube last year.

Another great drama, "Medicine For Melancholy," went the route of video-ondemand. Great documentaries, like "The Recruiter," have gone straight from Sundance to HBO.

What I’m increasingly finding is that, aside from the Oriental Theater, Downer Theater and Union Theatre in downtown Milwaukee, the multiplex might no longer be the best place for the curious moviegoer.

Maybe surfing the cable dial, or shelling out for HBO, or roaming the DVD store in search of titles you’ve never heard of before is the way to go. Even Roger Ebert has started reviewing films that have gone nationwide via cable, rather than movie theater.

Is "The Narrows" epic? No. It’s not great. But it’s certainly entertaining, and better than many films that open wide on 4,000 screens. Why haven’t we heard about it? Why was it dumped straight to DVD without so much as an advertisement to tell the rest of us about it?

E-mail: SnyderReviews@hotmail.com